Selected Poetry by P.C. Scheponik
- P.C. Scheponik
- 1 day ago
- 3 min read

Photo Source: Unsplash
What Mrs. Gladys Told Me
I remember when I was just a boy, our next door neighbor
was Mrs. Brown. I called her Mrs. Gladys. She called me
her “little man child.” She used to let me dig the prizes out
of her cereal boxes: a plastic robot with a string and small
weight at the end that would make the robot walk across the
kitchen table when the weight was hung off the side, and a
small rubber frogman I would drop in her filled bathroom
sink, flippers first, and watch him twirl down to the chrome
stopper in a plume of tiny bubbles. Mrs. Gladys told me
many things, but the most important one that I always
remembered– even to this day, in this poem was to never be
satisfied, to always be sure to want a little bit more; because
once you were finally satisfied, that’s when you would die. I
remember the combination of awe and fear I felt when I
heard those words, saw her soft, brown eyes behind the large
dark frames of her glasses. Her forearm resting against the
table’s edge, the cigarette tilted upward between her middle
and forefinger, the smoke rushing out of her nostrils in light
gray streams. The smile of her bright red lips, the streak of
lipstick smeared across her front teeth. There was something
in those words that reached deep inside of me–a truth I
accepted, though I could not comprehend, like a catechism
lesson or a Bible verse. So that even now, at almost 70, far
older than Mrs. Gladys was– I am afraid to say I am
satisfied. I prefer to keep death away by always wanting a
little bit more– using my want list like a novena or a charm,
or a splash of lamb’s blood above my door.
My Want
There is something that I want—
never to forget the beauty of this world:
The pebble lifted from the salt foam and sand,
still glistening in its sealed goodness,
its beauty compacted into truth so dense
I can hold it in the palm of my hand,
like the head of a nail, like a collapsed star.
My soul becomes a black hole swallowing
all the loveliness it can hold, even more.
My heart is spinning galaxies, constellations
of dandelions, nebulae of ocean mist and dune roses.
My mind is silver-side of sun-kissed fish
in the talons of osprey— cloud high with urgency,
wring-wrought with hunger.
My will is pulsar of sunset surf, red wine and sunlight
the color of blood and stars spilling their shimmer
into memory’s bag. Their lights fall like diamonds,
like glass beads, like marbles that I fling,
let roll across infinity’s floor.
I want never to forget.
I want more, and my more wants more.
Take me to the mansion of not forgetting.
Tell me the right door that I might knock,
that my want might be received.
Scent of Spring
This morning, Bella was smelling the snow,
between the blades of frosted grass
that shown with the light of the rising sun.
She buried her nose deeply among the blades,
down to the dark brown frozen earth.
I imagined she might be sniffing for spring,
some canine instinct foraging for rebirth
locked below the grass and snow,
beneath the root-hair ceiling where bulbs
dream of flowering, and earthworms turn
in humid sleep, where moles patrol the deep terrain,
tunneling their hungry way to grub-filled feasts,
where earth gorges itself with nitrogen
in preparation to feed April’s seeds.
I wondered if Bella felt all this each time she breathed
the aromas of snow-covered ground.
I watched her wet nose quivering, nostrils bright and flaring,
as if she had found spring’s beating heart.
In truth, I could not be sure if what I was seeing
was simply my imagination, Bella’s animal instinct,
or nature’s revelation of her flawless art.
But I knew there was an answer to be found
buried deep beneath the winter ground,
and Bella would keep smelling around until
she knew what it was.

P.C. Scheponik is a lifelong poet who lives with his wife and their shizon. His writing celebrates nature, the human condition, and the metaphysical mysteries of life. He has published six collections of poems. His work has also appeared in numerous literary journals. He is a 2019 Pushcart Prize nominee.